In 1948, students from Berlin University take part in the filming of a movie about the 1848 revolution as extras. A dispute arises between Else and Heinz, who tends to dismiss the revolution as a comical affair. Two fiercely opposing camps form at the university. But Heinz begins to reflect, and reading about a young student who lost his life in the turbulent days a hundred years earlier slowly changes his attitude. The conclusion of the filming at the Wartburg also reunites him with Else.

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It has been over 20 years since Maren Bertram left her parents' farm after a bad argument with her father Maximilian. At the time, she blamed her father for her mother's tragic death. Now the successful investment banker returns to her small Bavarian home village. After all these years, she finally wants to reconcile with the old stubborn man, but that is easier said than done. The fact that Maren's childhood sweetheart Johann seems to be involved in the impending forced sale of the farm doesn't make things any easier.

Susann is stupefied when she hears that Roman knew about Clemens other father. Britta is glad that Ben came back. She wants a last will for Ben and Lilly in case something happens to her. Bente accepts Vincent's second proposal.

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A man returns every year to visit his estranged family and friends in this drama dripping with biting social commentary. His 40-year-old buddies are part of the nouveau riche who consider themselves elite and are content to sandbag it at work. Teutonic sentimentality is lampooned, and the narrow minded are held up to ridicule. Some fine performances outweigh the passages of unintentional humor in this second film from director Ulrich Schamoni.

Immer wieder Sonntag is a German television series.

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Corinna Vogt squeezes into her business suit to save her ex-boss's company from a hostile takeover.